News

On the way to Karfunkel Fee’s castle, I often walk through her woods, where I made this interesting observation, which can be seen in these photos.

May this spring season bring new beginnings and renewed hope. Welcome to our latest newsletter edition. The past few months were full of activity. We are excited to share an update with you. 

'Only Breath' a poem by the Afghan poet Rumi born in 1207, was the inspiration for a site-specific installation in the new Energy Revolution Gallery at the Science Museum, London. Conceived and developed by Torus Torus Studio.

Artist in Focus is a programme by Renée Pfister Art & Gallery Consultancy promoting the works of artists the consultancy is regularly involved with.

Artist in Focus is a programme by Renée Pfister Art & Gallery Consultancy promoting the works of artists the consultancy is regularly involved with.

Welcome to our first consultancy newsletter in 2024. We hope this message finds you well-rested and ready for an extraordinary year ahead. In our Winter issue, we are presenting a several projects we have been involved with over the past few months and celebrate the launch of our new website.

Festive Greetings 2023.

Artist in Focus is a programme by Renée Pfister Art & Gallery Consultancy promoting the works of artists the consultancy is regularly involved with.

Like an archaeologist, Katrin König continuously searches for ancient clues.

Pamela Schilderman, an interdisciplinary Dutch-Brazilian artist, explores themes of extinction, conservation, and ecology in her work.

Ernesto Romano’s new collection, entitled Pop Heart, features a series of framed C-type prints of anatomical hearts

With the installation Cultivate, Ramos touches on several timely issues.

Gallery talk with Renée Pfister on Baudelaire 'Les Fleurs du Mal' & Keita Miyazaki's 'Excess of Desire'

The decolonisation of collections, including the return of looted and stolen art, has been an ongoing concern of many international cultural institutions.

When we think of our homes, often our thoughts are filled with happiness, contentment, warmth, love, and security.

Nadja Stamselberg uses balloons as a paradoxical metaphor.

She collects specimens of  (un)natural history from the coastal strandlines, city roads, jacket pockets or the studio floor. Things eroded, smashed, or squashed flat, which she then transforms into prints.